By the time Blige’s sophomore album, My Life, came out, she was on her way to pioneering a new visual of what a soul singer could look like.
Music executive Andre Harrell signed Blige in 1988 and released her debut album, What’s the 411?, in 1992. “She dressed like how I dress, she moved like how I move, she talked how I talk, she moved how I moved. Blige was always my big sister in my head, but I didn’t even know her ,” Lil’ Kim said. Lil’ Kim described her earliest fashion inspirations as a mix of Janet Jackson and the queen of hip-hop soul, Mary J. She’s dripping in jewelry and further blazing a trail for New York rappers and beyond who are inspiring a new generation of regular, degular, shmegular girls who want to live the high life. Cardi B’s blond wig was styled in an updo, she’s wearing a red fur and matching two-piece set. The music video for rapper Cardi B’s second single, “ Bartier Cardi,” off of her debut album, Invasion of Privacy, included a quick homage to Lil’ Kim.
#ICEBERG JEANS RAP SERIES#
Rihanna paid homage to Lil’ Kim by wearing a green fur coat with matching thigh-high boots and sunglasses at the iHeartRadio Awards for the first televised performance of “B- Better Have My Money.” Related Story The next first ladies of rap Read nowīeyoncé dressed up for Halloween in 2017 in a series of Lil’ Kim’s greatest hits: the Chanel suspenders, red pants and chain-link belt Lil’ Kim wore in rapper Missy Elliott’s 1997 “ The Rain ” the teal blue wig with the Chanel logo Lil’ Kim wore on the cover of Manhattan File magazine in 2001 another magazine cover photo shoot in which the rapper wore a blond wig, blue mini-slip dress, blue fur coat, and blue contacts Lil’ Kim’s sheer catsuit with fur cuffs at the Source Awards in 2001 and the neon-green two-piece set topped with a Chanel chain-link belt, matching fur coat and short cropped blond ’do she performed in during the No Way Out Tour in 1997. Many of the trends Lil’ Kim and Hylton pioneered still feel fresh. Lil’ Kim during the No Way Out tour in New York on Dec. On “ No Time,” a single off her debut 1995 album Hardcore, the artist denounced “ fake n-as” and proclaimed she “ usually rock the Prada, sometimes Gabbana.” She was a fly Black girl from Brooklyn putting the world on notice: Rap and its boys’ club would look different now.īecause the 4-foot-11 rapper was different: She was flashy, she was braggadocious, she was overt - not just with her femininity but her sexuality as well.
#ICEBERG JEANS RAP FULL#
“Once we got in, we made our lane, and we started dressing with our own personal style, whether it was adding Lycra suits to the Dapper Dan jacket like Salt-N-Pepa or coming out full throttle and expressing our femininity and the power of our body part like a Lil’ Kim.” “We had to dress like the boys so we could go toe-to-toe with them,” she said.
“It’s true that a lot of the brands and the fashion styles did come from our boys,” said Elena Romero, co-curator of the exhibit and a professor at FIT. The Museum at FIT, gift of Gabriela Durham. The story of men’s style is well told, beginning with the fine knits, elements of formal wear with creases in the jeans and the tracksuits the B-boys wore in the 1970s, to the explosion of Americana brands such as Ralph Lauren and Tommy Hilfiger in the 1990s, and the high-end designers who were inspired by hip-hop.įresh, Fly and Fabulous: Fifty Years of Hip Hop Style exhibit - Reebok Freestyle, 2019. Yet there’s just one ensemble Lil’ Kim wore in 2003 and too little representation of women’s fashion overall. Fresh, Fly and Fabulous: Fifty Years of Hip Hop Style, currently on view at The Museum at the Fashion Institute of Technology in New York, may well be the largest and most comprehensive exhibition to date, featuring more than 100 garments and accessories showcasing the evolution of hip-hop fashion. Which is why a major new exhibition on hip-hop and fashion feels incomplete. What began as an organic expression of style between Lil’ Kim and stylist Misa Hylton is now recreated by a multitude of rappers hoping to replicate her staying power and replicated by high-end fashion designers attempting to earn cultural currency. In any discussion about hip-hop and style, there may be no one more influential than Lil’ Kim. Hip Hop at 50 is our yearlong look at the people, sound, art, and impact of hip-hop culture on the world.
0 kommentar(er)
